Literature Times
No Result
View All Result
  • American Literature
    • Introduction
    • Novel
      • Introduction
      • Ernest Hemingway
      • Jazz by Toni Morrison
      • The Scarlet Letter
      • To Kill a Mockingbird
    • Plays
      • The Hairy Ape by Eugene O’Neil
      • The Crucible by Arthur Miller
    • Poetry
      • Adrienne Rich
      • Maya Angelou
      • Sylvia Plath
      • T.S. Eliot
      • Ted Hughes
    • Stories
      • The Masque of the Red Death
      • To Build a Fire
  • Pakistani Literature
    • History
    • Poetry
      • Anniversary by Daud Kamal
    • Novels
      • The Reluctant Fundamentalist
    • Short Stories
      • Toba Tek Singh
  • Postcolonial
    • Introduction
    • Concepts
    • Novels
      • Devil on the Cross
      • Things Fall Apart
  • British Literature
    • History
      • Anglo-Saxon
      • The Age of Chaucer
      • Renaissance Literature
      • Age of Shakespeare
      • The Age of Johnson
      • Elizabethan Age
      • Restoration Period
      • The Age of Milton
      • Victorian Age
    • Novels
      • D.H. Lawrence
        • Sons and Lovers
      • James Joyce
        • A Portrait of the Artist as a Young Man
      • Jane Austin
        • Pride and Prejudice
      • Mary Shelley
        • Frankenstein
      • Thomas Hardy
        • The Mayor of Casterbridge
      • Virginia Woolf
        • To the Lighthouse
    • Plays
      • August Strindberg
        • Ghost Sonata
      • Christopher Marlowe
        • Doctor Faustus
      • Henrik Ibsen
        • A Doll’s House
      • John Osborne
        • Look Back in Anger
      • William Shakespeare
        • Macbeth
        • Twelfth Night
      • Samuel Beckett
        • Waiting for Godot
        • Words and Music
      • Sophocles
        • Antigone
    • Essayists
      • Jonathan Swift
        • A Modest Proposal
    • Poetry
      • John Milton
        • Paradise Lost
      • Seamus Heaney
      • W.B. Yeats
      • William Wordsworth
      • W.H. Auden
  • More
    • Basics of Literature
    • Greek Mythology
    • Linguistics
    • Literature
    • Novel
    • One Act Play
    • World Literature
      • Short Stories
        • Guy de Maupassant
        • Jorge Luis Borges
          • The Garden of Forking Paths
          • The Library of Babel
  • About Us
    • About Us
    • Privacy Policy
    • Terms & Conditions
    • Contact Us
Contact
  • American Literature
    • Introduction
    • Novel
      • Introduction
      • Ernest Hemingway
      • Jazz by Toni Morrison
      • The Scarlet Letter
      • To Kill a Mockingbird
    • Plays
      • The Hairy Ape by Eugene O’Neil
      • The Crucible by Arthur Miller
    • Poetry
      • Adrienne Rich
      • Maya Angelou
      • Sylvia Plath
      • T.S. Eliot
      • Ted Hughes
    • Stories
      • The Masque of the Red Death
      • To Build a Fire
  • Pakistani Literature
    • History
    • Poetry
      • Anniversary by Daud Kamal
    • Novels
      • The Reluctant Fundamentalist
    • Short Stories
      • Toba Tek Singh
  • Postcolonial
    • Introduction
    • Concepts
    • Novels
      • Devil on the Cross
      • Things Fall Apart
  • British Literature
    • History
      • Anglo-Saxon
      • The Age of Chaucer
      • Renaissance Literature
      • Age of Shakespeare
      • The Age of Johnson
      • Elizabethan Age
      • Restoration Period
      • The Age of Milton
      • Victorian Age
    • Novels
      • D.H. Lawrence
        • Sons and Lovers
      • James Joyce
        • A Portrait of the Artist as a Young Man
      • Jane Austin
        • Pride and Prejudice
      • Mary Shelley
        • Frankenstein
      • Thomas Hardy
        • The Mayor of Casterbridge
      • Virginia Woolf
        • To the Lighthouse
    • Plays
      • August Strindberg
        • Ghost Sonata
      • Christopher Marlowe
        • Doctor Faustus
      • Henrik Ibsen
        • A Doll’s House
      • John Osborne
        • Look Back in Anger
      • William Shakespeare
        • Macbeth
        • Twelfth Night
      • Samuel Beckett
        • Waiting for Godot
        • Words and Music
      • Sophocles
        • Antigone
    • Essayists
      • Jonathan Swift
        • A Modest Proposal
    • Poetry
      • John Milton
        • Paradise Lost
      • Seamus Heaney
      • W.B. Yeats
      • William Wordsworth
      • W.H. Auden
  • More
    • Basics of Literature
    • Greek Mythology
    • Linguistics
    • Literature
    • Novel
    • One Act Play
    • World Literature
      • Short Stories
        • Guy de Maupassant
        • Jorge Luis Borges
          • The Garden of Forking Paths
          • The Library of Babel
  • About Us
    • About Us
    • Privacy Policy
    • Terms & Conditions
    • Contact Us
No Result
View All Result
Literature Times
No Result
View All Result
Home The Scarlet Letter

Narrative Technique of  “The Scarlet Letter” by Nathaniel Hawthorne

Saad Ahmed by Saad Ahmed
December 18, 2022
Reading Time: 4 mins read
0
Narrative Technique of “The Scarlet Letter” by Nathaniel Hawthorne

The Point of View of The Scarlet Letter

The Scarlet Letter is composed in omniscient third-person perspective, describing the thoughts and feelings of the main characters as well as the general attitudes of the townspeople, indicating how the protagonists fit into their greater community. Because the characters are frequently reserved and quiet, the narrator’s perspective on what they are truly feeling on the inside is crucial.

The reader’s impression is influenced by the narrator’s frequent addition of commentary regarding characters and their activities. He bemoans Dimmesdale’s inability to overcome his anxieties and doubts, for instance, and this may lead readers to perceive Dimmesdale as a helpless and ineffective person. The narrator addresses the reader directly, emphasizing that we are taking part in an interpretation of a fictional work.

Read more about:Critical appreciation of “The Thorn” by Wordsworth

The whole story is told as a fictional re-creation of events the narrator has learnt about, placing the story as an elaborated version of genuine events, after the first framing technique of the introduction, told from the point of view of two hundred years after the events. (In actuality, the fragment of Hester’s A that the narrator discovers was created by Hawthorne, and the entire book is fiction.)

The narrator maintains that this novel is based on a true story by making references to rumours and reports that have been passed down through the years, such as when he describes the mark on Dimmesdale’s chest as according to these perfectly esteemed witnesses, but he never specifies which theory is the correct one. Hawthorne expresses concerns about the nature of truth and narrative as well as people’s desire to create stories based on actual events by refusing to always offer a single, definitive explanation.

Style of The Scarlet Letter 

The Scarlet Letter is written in an ornate, quiet language that uses long, complex phrases to convey that the road to the truth is winding and difficult. Hawthorne frequently only conveys the essential concept at the end of his lengthy sentences, which are composed of numerous clauses or ideas. For instance, when describing Hester Prynne standing on the scaffold, the narrator writes that if there had been a Catholic among the Puritan crowd, he might have recognized the image of Divine Maternity in this beautiful woman, who was so picturesque in her attire and demeanor and who held the child at her bosom.

The main point of this statement is that Mary, who gave birth to Jesus according to Catholic religious tradition, was similar to Hester in that both were virginal mothers. Instead of making the contrast plain and straightforward, Hawthorne speculates on what a fictitious Catholic observer could have seen, keeping the true comparison at the end. This design parallels the novel’s greater themes of deception and final disclosure.

Hawthorne frequently switches his main point mid-sentence, implying that things are not always as they seem. For instance, Hawthorne’s narrator expresses how he felt about the three years he spent working at the Old Custom House as

“a term long enough to rest a —————————————————————————————————, doing what was really of no advantage or delight to any human being”

Nathaniel Hawthorne

At first glance, the sentence seems to suggest that this experience had some benefits.

The second half of the line, however, quickly shifts to detailing the disadvantages. A sentence’s purpose cannot be determined with certainty until the reader has finished reading it. Similar to how characters originally appear one way, only to be discovered to be the other, such as the allegedly saintly Dimmesdale or the apparent stranger Chillingworth.

Hawthorne regularly uses metaphors and similes, as well as other figures of speech, to portray the book’s psychological and moral issues. Even if they are hiding critical information and going through extremely powerful emotions, the majority of the characters appear quiet and reserved in their interactions with others.

The reader can see what is going on beneath the surface because to Hawthorne’s use of metaphors and similes. For instance, when Hester and Chillingworth first meet, Hester sees a horrifying expression cross Chillingworth’s face .She describes it as a look of writhing horror that twisted itself across his features like a snake gliding swiftly over them before pausing for a moment to reveal all of its wreathed involutions. A seemingly insignificant occurrence is made meaningful and vivid by Chillingworth’s comparison of his expression to a snake. The simile makes the reader carefully consider each word, which improves the plot’s meaning.

For free Udemy courses visit: Free Udemy Courses

For English essays, visit: Help Study

For technological information, visit: OwPing

For educational analysis, visit: ClassNotesPDF

Tags: american literaturenarrative techniqueNathaniel HawthorneomniscientThe Point of ViewThe Scarlet Letter
ShareTweetPin
Saad Ahmed

Saad Ahmed

Related Posts

Exploring Guilt in The Scarlet Letter Key Themes and Analysis
The Scarlet Letter

Exploring Guilt in The Scarlet Letter: Key Themes and Analysis

September 18, 2024
The Role of Transcendentalism in The Scarlet Letter
The Scarlet Letter

The Role of Transcendentalism in The Scarlet Letter

September 17, 2024
Exploring the Symbolism of Pearl in The Scarlet Letter
The Scarlet Letter

Exploring the Symbolism of Pearl in The Scarlet Letter

September 16, 2024
The Multifaceted Symbolism of the Scaffold in The Scarlet Letter
The Scarlet Letter

The Sinister Scaffold Symbolism in The Scarlet Letter

September 14, 2024
Next Post
Marxist Feminism in Margrat Drebel's Novel The Ice Age

Marxist Feminism in Margrat Drebel's Novel "The Ice Age"

Naturalism in Hedda Gabler by henrik Ebsin

Naturalism in "Hedda Gabler" by Henrik Ebsin

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Recommended Stories

Waiting-for-Godot-as-Tragicomedy-1

Waiting for Godot as Tragicomedy

January 4, 2022
Who is the Hero in Paradise Lost by Milton?

Who is the Hero in Paradise Lost by Milton?

April 20, 2022
Literary Devices Used in Drama

Literary Devices Used in Drama

April 6, 2025

Popular Stories

  • Define Tragedy and its elements by Aristotle?

    Define Tragedy and Its Elements

    0 shares
    Share 0 Tweet 0
  • The Evolution of Feminist Literary Criticism: A Comprehensive Guide

    0 shares
    Share 0 Tweet 0
  • The Reluctant Fundamentalist Chapter 9 Summary and Analysis

    0 shares
    Share 0 Tweet 0
  • Aristotle’s Concept of Catharsis Explained

    0 shares
    Share 0 Tweet 0
  • Critical Analysis of the Poem “Partition” by W.H. Auden

    0 shares
    Share 0 Tweet 0
Literature Times

Literature Times is a platform that provides literary analysis and article focused on English Literature.

LEARN MORE »

Literary Movements

  • Absurdism
  • Aestheticism
  • Existentialism
  • Expressionism
  • Formalism
  • Magical Realism
  • Marxism
  • Naturalism
  • Nihilism
  • Postmodernism
  • Surrealism

Literary Theory

  • F.R. Leavis
  • Matthew Arnold
  • Defamiliarization
  • Formalism
  • Marxism
  • Narratology
  • Post-Structuralism
  • Structuralism

Author’s Pick

  • Basics of Literature
  • Classical Criticism
  • Development of Novel
  • Essays
  • Greek Mythology
  • Moral Stories
  • Reflections

© 2025 Literature Times | Founded by Shaheer

No Result
View All Result
  • American Literature
    • Introduction
    • Novel
      • Introduction
      • Ernest Hemingway
      • Jazz by Toni Morrison
      • The Scarlet Letter
      • To Kill a Mockingbird
    • Plays
      • The Hairy Ape by Eugene O’Neil
      • The Crucible by Arthur Miller
    • Poetry
      • Adrienne Rich
      • Maya Angelou
      • Sylvia Plath
      • T.S. Eliot
      • Ted Hughes
    • Stories
      • The Masque of the Red Death
      • To Build a Fire
  • Pakistani Literature
    • History
    • Poetry
      • Anniversary by Daud Kamal
    • Novels
      • The Reluctant Fundamentalist
    • Short Stories
      • Toba Tek Singh
  • Postcolonial
    • Introduction
    • Concepts
    • Novels
      • Devil on the Cross
      • Things Fall Apart
  • British Literature
    • History
      • Anglo-Saxon
      • The Age of Chaucer
      • Renaissance Literature
      • Age of Shakespeare
      • The Age of Johnson
      • Elizabethan Age
      • Restoration Period
      • The Age of Milton
      • Victorian Age
    • Novels
      • D.H. Lawrence
      • James Joyce
      • Jane Austin
      • Mary Shelley
      • Thomas Hardy
      • Virginia Woolf
    • Plays
      • August Strindberg
      • Christopher Marlowe
      • Henrik Ibsen
      • John Osborne
      • William Shakespeare
      • Samuel Beckett
      • Sophocles
    • Essayists
      • Jonathan Swift
    • Poetry
      • John Milton
      • Seamus Heaney
      • W.B. Yeats
      • William Wordsworth
      • W.H. Auden
  • More
    • Basics of Literature
    • Greek Mythology
    • Linguistics
    • Literature
    • Novel
    • One Act Play
    • World Literature
      • Short Stories
  • About Us
    • About Us
    • Privacy Policy
    • Terms & Conditions
    • Contact Us

© 2025 Literature Times | Founded by Shaheer