Literature Times
No Result
View All Result
  • American Literature
    • Introduction
    • Novel
      • Introduction
      • Ernest Hemingway
      • Jazz by Toni Morrison
      • The Scarlet Letter
      • To Kill a Mockingbird
    • Plays
      • The Hairy Ape by Eugene O’Neil
      • The Crucible by Arthur Miller
    • Poetry
      • Adrienne Rich
      • Maya Angelou
      • Sylvia Plath
      • T.S. Eliot
      • Ted Hughes
    • Stories
      • The Masque of the Red Death
      • To Build a Fire
  • Pakistani Literature
    • History
    • Poetry
      • Anniversary by Daud Kamal
    • Novels
      • The Reluctant Fundamentalist
    • Short Stories
      • Toba Tek Singh
  • Postcolonial
    • Introduction
    • Concepts
    • Novels
      • Devil on the Cross
      • Things Fall Apart
  • British Literature
    • History
      • Anglo-Saxon
      • The Age of Chaucer
      • Renaissance Literature
      • Age of Shakespeare
      • The Age of Johnson
      • Elizabethan Age
      • Restoration Period
      • The Age of Milton
      • Victorian Age
    • Novels
      • D.H. Lawrence
        • Sons and Lovers
      • James Joyce
        • A Portrait of the Artist as a Young Man
      • Jane Austin
        • Pride and Prejudice
      • Mary Shelley
        • Frankenstein
      • Thomas Hardy
        • The Mayor of Casterbridge
      • Virginia Woolf
        • To the Lighthouse
    • Plays
      • August Strindberg
        • Ghost Sonata
      • Christopher Marlowe
        • Doctor Faustus
      • Henrik Ibsen
        • A Doll’s House
      • John Osborne
        • Look Back in Anger
      • William Shakespeare
        • Macbeth
        • Twelfth Night
      • Samuel Beckett
        • Waiting for Godot
        • Words and Music
      • Sophocles
        • Antigone
    • Essayists
      • Jonathan Swift
        • A Modest Proposal
    • Poetry
      • John Milton
        • Paradise Lost
      • Seamus Heaney
      • W.B. Yeats
      • William Wordsworth
      • W.H. Auden
  • More
    • Basics of Literature
    • Greek Mythology
    • Linguistics
    • Literature
    • Novel
    • One Act Play
    • World Literature
      • Short Stories
        • Guy de Maupassant
        • Jorge Luis Borges
          • The Garden of Forking Paths
          • The Library of Babel
  • About Us
    • About Us
    • Privacy Policy
    • Terms & Conditions
    • Contact Us
Contact
  • American Literature
    • Introduction
    • Novel
      • Introduction
      • Ernest Hemingway
      • Jazz by Toni Morrison
      • The Scarlet Letter
      • To Kill a Mockingbird
    • Plays
      • The Hairy Ape by Eugene O’Neil
      • The Crucible by Arthur Miller
    • Poetry
      • Adrienne Rich
      • Maya Angelou
      • Sylvia Plath
      • T.S. Eliot
      • Ted Hughes
    • Stories
      • The Masque of the Red Death
      • To Build a Fire
  • Pakistani Literature
    • History
    • Poetry
      • Anniversary by Daud Kamal
    • Novels
      • The Reluctant Fundamentalist
    • Short Stories
      • Toba Tek Singh
  • Postcolonial
    • Introduction
    • Concepts
    • Novels
      • Devil on the Cross
      • Things Fall Apart
  • British Literature
    • History
      • Anglo-Saxon
      • The Age of Chaucer
      • Renaissance Literature
      • Age of Shakespeare
      • The Age of Johnson
      • Elizabethan Age
      • Restoration Period
      • The Age of Milton
      • Victorian Age
    • Novels
      • D.H. Lawrence
        • Sons and Lovers
      • James Joyce
        • A Portrait of the Artist as a Young Man
      • Jane Austin
        • Pride and Prejudice
      • Mary Shelley
        • Frankenstein
      • Thomas Hardy
        • The Mayor of Casterbridge
      • Virginia Woolf
        • To the Lighthouse
    • Plays
      • August Strindberg
        • Ghost Sonata
      • Christopher Marlowe
        • Doctor Faustus
      • Henrik Ibsen
        • A Doll’s House
      • John Osborne
        • Look Back in Anger
      • William Shakespeare
        • Macbeth
        • Twelfth Night
      • Samuel Beckett
        • Waiting for Godot
        • Words and Music
      • Sophocles
        • Antigone
    • Essayists
      • Jonathan Swift
        • A Modest Proposal
    • Poetry
      • John Milton
        • Paradise Lost
      • Seamus Heaney
      • W.B. Yeats
      • William Wordsworth
      • W.H. Auden
  • More
    • Basics of Literature
    • Greek Mythology
    • Linguistics
    • Literature
    • Novel
    • One Act Play
    • World Literature
      • Short Stories
        • Guy de Maupassant
        • Jorge Luis Borges
          • The Garden of Forking Paths
          • The Library of Babel
  • About Us
    • About Us
    • Privacy Policy
    • Terms & Conditions
    • Contact Us
No Result
View All Result
Literature Times
No Result
View All Result
Home An Apology for Poetry

Why Philip Sidney is so Important in English Criticism?

Shaheer by Shaheer
January 3, 2022
Reading Time: 5 mins read
0
Why-Philip-Sidney-is-so-Important-in-English-Criticism-1

The contribution of Philip Sidney in English literature isn’t deniable; he holds a distinguished place amongst different writers. Apology for Poetry is a crucial Renaissance document. It is a synthesis of the vital doctrines of Plato, Aristotle, Horace, Scaliger, Minturno, and several different writers and critics. It brings together romanticism and classicism. It is the first attempt in English to deal with poetic art, practically and not theoretically.

Sidney represents modern trends in poetry’s nature and function on the three unities, tragedy, comedy, diction, and meter. Everywhere his work displays the effect of Aristotle and Plato and different classical writers. But his originality lies within the skill with which he has draws upon, selected, organized, and adapted earlier concepts after which he has put forth his views, independently arrived. He makes use of;

  1. Italian critics,

2. Classical critics Plato and Aristotle.

3. Roman critics, Horace and Plutarch.

4. He also exhibits the effect of the medieval concept of tragedy

5. His didactic approach to poetry is usually the Renaissance approach.

However, his manner of presentation, his freshness and vigor, and his logical faculty are characteristically his own. His style has dignity, simplicity, concreteness, and racy humor, and irony. It is an illuminating piece of literary criticism in addition to a valuable part of imaginative literature.

Sidney approached poetry not as a pedantic critic however as a responsive reader. While most of his contemporaries have been busy framing rules of rhetoric and prosody, he was paving the how for artistic literature. He was preparing viewers who may ‘feel’ the emotional influence of literature and appreciate it. Sidney felt that literature was an incredibly dynamic force, and it had the ability ‘to move,’ ‘to uplift,’ and satisfy emotionally and aesthetically.

Read About: What is Literature and Virtue in Apology for Poetry by Sidney?

J. W.H. Atkins has identified that “to him poetry was a natural human activity enabling men to sing to beauty and truth and to satisfy their longings for a world transformed, thus nurturing in them what was good and noble. Moreover, so far from being merely an instrument of moral teaching, it was a concrete and inspiring revelation of human deals, and thus, in a sense, a criticism of life. This, then with its element of permanent truth, was the substance of Sidney’s message to an age perplexed and even hostile.”

No doubt Sidney has freely drawn on earlier critics, but he has tried to reach his conception of poetry. The fundamental question he meets is: why is poetry valuable. The second part of his essay deals with the nature and worth of poetry. This is adopted by an examination of the objection to poetry. Finally, the fourth part presents a critique of contemporary literary poetry and morality.

His definitions of poetry, two in quantity, the converse of his greatness as a critic. The first is: “Poesy, therefore, is an art of imitation, a representing, counterfeiting, or figuring forth; to speak metaphorically, a speaking picture, with this end,—to teach and delight.” The second is: “it is not rhyming and versing that maketh a poet… but it is that feigning striking images of virtue or vice, or -what else, with that delightful teaching; which must be the right describing note to know a poet. “

His defense of poetry is unique. It logically refutes the modern charges of the puritans in opposition to poetry. Poetry is ordinary; the first light-giver to ignorance and the first nurse. The earliest recorded or preserved utterance of any nation is a type of poetic expression alone. The ancients delivered wisdom only via poetry. The first philosophers and scientists got here before the individuals in the garb of poets. The world created by the poet is a more incredible world than ours. Within the poetic world, we come across true lovers, constant friends, courageous men, and excellent men. These characters are perfect. The bad men in this world have pure badness, and such villains aren’t allowed to go unpunished.

Poetry is superior to history and philosophy. The poet has both the general and the particular instance. But the philosopher is barely theoretical, for he has examples. The historian has examples, however, no precepts. The historian speaks of what has been, not of what should be. The philosopher is vague and speaks of what should be. The poet says of each what’s and what needs to be of what’s common and explicit. Poetry has liveliness and passion that is lacking in history and philosophy.

Sidney’s remarks on tragedy, tragi-comedy, and comedy speak of his knowledge of the modern traits of literature and his broad readings. In drama, his observations have been valid in his age and authentic and correct even today. His remarks on satire and numerous types of poetry are of great significance, including his views on diction, meter, and verse. Surprisingly enough, Sidney presents the best defense of the meter. Praising English, he says that only in English can rhyme be noticed: “very precisely.”

Dramatic criticism in England started with Sir Philip Sidney. Sidney was ‘the president of chivalry and nobleness.’ But, as Hakluyt referred him, he was probably the most delicate flower of the garden of wit and art. He noticed that Poetry had fallen from high estimation to be the laughing stock of children in his days. Nevertheless, it was to his attempts that Poetry was again read with interest, and poets like Shakespeare and Spenser made others made England ‘nest of singing birds.’

Thoughts? Share in the comment section!

For free Udemy courses visit this site: Free Udemy Courses

And yes! if you need premium accounts at cheapest rate inbox me on my Facebook page at: Premium Palace

Subscribe my YouTube channel at: The Stream Post

Follow on Facebook page of Literature Times at: Literature Times on Facebook

Tags: an apology for her poetry analysisan apology for poetry criticismapology for poetryapology for poetry by philip sidneyapology for poetry philip sidneyapology for poetry questionsapology of poetrycharges against poetrycharges against poetry by stephen gossoncharges on poetrydiscuss the importance of philip sidney's an apology for poetryimportance of philip sidneyimportance of philip sidney an apology for poetryimportance of philip sidney in criticismliterature and virtueliterature and virtue in apology for poetrystephen gosson charges on poetry
ShareTweetPin
Shaheer

Shaheer

I'm a well-rounded individual who combines technical expertise with creative writing skills to provide comprehensive and compelling content to the readers. My passion for technology, literature, and writing drives them to stay up to date with the latest trends and developments in these areas.

Related Posts

Matthew Arnold’s “Culture and Anarchy”: A Comprehensive Analysis
Classical Criticism

Matthew Arnold’s “Culture and Anarchy”: A Comprehensive Analysis

August 27, 2023
Exploring Matthew Arnold's Humanism Literature as a Critique of Life
Classical Criticism

Exploring Matthew Arnold’s Humanism: Literature as a Critique of Life

August 26, 2023
Aristotles-Concept-of-Catharsis-Explained-1
Classical Criticism

Aristotle’s Concept of Catharsis Explained

January 3, 2022
Explain-the-Concept-of-Tragedy-by-Aristotle-1
Classical Criticism

Explain the Concept of Tragedy by Aristotle

January 3, 2022
Next Post
Nature-and-Function-of-Poetry-for-Philip-Sidney-1

Nature and Function of Poetry for Philip Sidney

Explaining-the-term-Objective-Correlative-by-T.S.-Eliot-1

Explaining the term "Objective Correlative" by T.S. Eliot

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Recommended Stories

Epic-and-Tragic-Hero-Differences-1

Epic Hero and Tragic Hero

January 4, 2022
What-is-Kitchen-Sink-Drama-in-Look-Back-in-Anger-1

What is Kitchen Sink Drama in Look Back in Anger?

January 4, 2022
The-Abuse-of-Power-in-_In-the-Penal-Colony_-by-Franz-Kafka-1

The Abuse of Power in “In the Penal Colony” by Franz Kafka

December 1, 2024

Popular Stories

  • Define Tragedy and its elements by Aristotle?

    Define Tragedy and Its Elements

    0 shares
    Share 0 Tweet 0
  • The Evolution of Feminist Literary Criticism: A Comprehensive Guide

    0 shares
    Share 0 Tweet 0
  • The Reluctant Fundamentalist Chapter 9 Summary and Analysis

    0 shares
    Share 0 Tweet 0
  • Aristotle’s Concept of Catharsis Explained

    0 shares
    Share 0 Tweet 0
  • Critical Analysis of the Poem “Partition” by W.H. Auden

    0 shares
    Share 0 Tweet 0
Literature Times

Literature Times is a platform that provides literary analysis and article focused on English Literature.

LEARN MORE »

Literary Movements

  • Absurdism
  • Aestheticism
  • Existentialism
  • Expressionism
  • Formalism
  • Magical Realism
  • Marxism
  • Naturalism
  • Nihilism
  • Postmodernism
  • Surrealism

Literary Theory

  • F.R. Leavis
  • Matthew Arnold
  • Defamiliarization
  • Formalism
  • Marxism
  • Narratology
  • Post-Structuralism
  • Structuralism

Author’s Pick

  • Basics of Literature
  • Classical Criticism
  • Development of Novel
  • Essays
  • Greek Mythology
  • Moral Stories
  • Reflections

© 2025 Literature Times | Founded by Shaheer

No Result
View All Result
  • American Literature
    • Introduction
    • Novel
      • Introduction
      • Ernest Hemingway
      • Jazz by Toni Morrison
      • The Scarlet Letter
      • To Kill a Mockingbird
    • Plays
      • The Hairy Ape by Eugene O’Neil
      • The Crucible by Arthur Miller
    • Poetry
      • Adrienne Rich
      • Maya Angelou
      • Sylvia Plath
      • T.S. Eliot
      • Ted Hughes
    • Stories
      • The Masque of the Red Death
      • To Build a Fire
  • Pakistani Literature
    • History
    • Poetry
      • Anniversary by Daud Kamal
    • Novels
      • The Reluctant Fundamentalist
    • Short Stories
      • Toba Tek Singh
  • Postcolonial
    • Introduction
    • Concepts
    • Novels
      • Devil on the Cross
      • Things Fall Apart
  • British Literature
    • History
      • Anglo-Saxon
      • The Age of Chaucer
      • Renaissance Literature
      • Age of Shakespeare
      • The Age of Johnson
      • Elizabethan Age
      • Restoration Period
      • The Age of Milton
      • Victorian Age
    • Novels
      • D.H. Lawrence
      • James Joyce
      • Jane Austin
      • Mary Shelley
      • Thomas Hardy
      • Virginia Woolf
    • Plays
      • August Strindberg
      • Christopher Marlowe
      • Henrik Ibsen
      • John Osborne
      • William Shakespeare
      • Samuel Beckett
      • Sophocles
    • Essayists
      • Jonathan Swift
    • Poetry
      • John Milton
      • Seamus Heaney
      • W.B. Yeats
      • William Wordsworth
      • W.H. Auden
  • More
    • Basics of Literature
    • Greek Mythology
    • Linguistics
    • Literature
    • Novel
    • One Act Play
    • World Literature
      • Short Stories
  • About Us
    • About Us
    • Privacy Policy
    • Terms & Conditions
    • Contact Us

© 2025 Literature Times | Founded by Shaheer