The poem “Diving into the Wreck” is of journey and transformation Rich is tapping the energies and plots of myth, whereas re-envisioning the content. While there’s a hero, a quest, and a buried treasure, the hero is a girl; the hunt is a critique of previous myths; the treasure is knowledge: the entire buried knowledge of the personal and cultural foundering of the relations between the sexes, and a self-knowledge that may be gained only via the act of criticism.
The wreck represents the battered hulk of the sexual definitions of the past, which Rich, as an underwater explorer, must seek for proof of what will be salvaged. Only those that have managed to outlive the wreck – women isolated from any significant participation or voice in forces that led to the disaster – are ready to jot down its epitaph and their very own names in new books.
The expertise of nothingness and the braveness to see are on the heart of the poem Diving into The Wreck. The poem is a parallel between two totally different sorts of diving. Symbolism is the core of the poem. Apparently poet is a diver who’s to dive within the wreck to go looking out the harm and treasures. The sea is the metaphor of the world. Wreck is the wreck of civilization where particular person’s recognition of the woman is sacrificed and drowned for the sake of male dominance. Rich has dived deep to extract the actual meanings and standing of man-woman relationship.
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Rich will not be a professional diver however her confidence i.e. the flippers will assist her to discover the wreck. Before beginning her diving she is totally geared up with instruments like a standard divers however, right here diving will not be conventional. She has learned the books of myths, a camera, and a pointy knife. It is a deep and harmful journey where something is feasible. Diver descends within the water and its color changes from blue to green and from green to black. This altering of color can also be symbolic. There is the impact of ‘blacking out’, it’s the imaginative and prescient of poetess , within the deep down she is free from all sort of conventional taboos and definitions, on this free ambiance she will determine now according to her personal notion.
As she descends deep all the way down to the ocean she is confused. She loses her identity or she confidently behaves like an androgyny as she approaches the wreck;
“The mermaid whose dark hair streams black,
the merman in his armour body …
I m she, I m he…”
This quest for one thing beyond myths, for the truths about women and men concerning the “I” and the “you” the “he” and the “she” are extra generally concerning the powerless and the highly effective. In admitting “I am he, I am she”, Rich is feeling each the virtues; of man and woman, highly effective and powerless, she is adopting each of the position within the sexual relationships between woman and a woman. Yet she can not confidently admit this twin position so she continues to be within the deep to go looking out the truth.
It is, quite, the all-compassing ‘deep element’ wherein she should be taught.
“To turn my body without force”.
The wreck is a layered picture; it’s the life of a woman, the source of successes and failures; it’s the history of all girls submerged in a specific tradition, it’s that source of myths about female and male sexuality, which form our lives and roles in the present day. Whichever, the swimmer got here for:
“The wreck and not story of the wreck
The thing itself and not the myth”.
Moving in deeply private images, circling darkly and richly into the very sources of her poetry, she is, as she says,
“Coming home to…. sex, sexuality, sexual wounds, sexual identity, and sexual politics”.
Dreaming of the particular person inside the poem, she strolling towards me, bare, swaying bending down, her dark long fair falling ahead of its personal weight like heavy cloth shielding my-face and her personal, her full breasts brushing my cheek, transferring towards my mouth. The dream is the invention of the dreamer, and the content of the dream strikes in symbols of sustenance and of consolation. The hands of that diving girl grow to be our personal hands, reaching out, touching, holding; not in intercourse however in deliverance. That is the efficiency of her poetry; it infuses desires, it makes attainable connections between people within the face of what appears of be irrevocable separateness, it forges an alliance between the poet and the reader.
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The enthusiasm for her efforts to create a myth of androgynous sexuality is a typical case. To applaud the androgynous psyche or to announce this as its historic moment is simpler than really living out its penalties.
“I am here, the mermaid whose dark hair Streams back, the merman in his armored body”.
“Diving into the Wreck” regardless of its call for “the thing itself and not the myth”. For what we have now right here is the parable, as Rich herself has now implicitly acknowledged.
“There are words I cannot choose again; humanism androgyny”.
“Such words”, she goes on to say, “have no shame in them”. They don’t embody the history of anguish, repression and self-control that precedes them. “Their glint is too shallow”, they don’t describe both the past or the life of the present.
“Diving into the Wreck” demonstrates that one can suppress troublesome emotions by mythologizing them. It could also be that each Rich and her readers are relieved to have their fear and their need conjoined in symbols so stylized and summarized.
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